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3.1 stars (17 ratings)

Wenn wir gefickt werden gehen wir dann steil
#diffusion der illegalen #techno #party

Sven Weisemann - Interlace Jitter #RareSounds #Techno

Seit gefühlten Ewigkeiten macht Radio Fritz mal wieder für mich eine schöne Sendung. #Techno und #Rave aus den 90ern HACH ❤

just got caught in a tornado outside :)) #wetgiraffe #techno

When music has no frontiers #kennedycenter #techno #DC

I'm in the mood for a rave or some kinda electronic music atm.
#techno #edm

Can’t wait to kick things off tonight, doors open at 10, you wouldn’t want to miss any of the action tho, right? #Techno #Manchester

Hey Street thanks for the follow! Long live #techno

Hey Allen Hunnie thanks for the follow! Long live #techno

Hey Mukesh Yaduvanshi thanks for the follow! Long live #techno

ralphruthe Hab' mal ein ❤️ vergeben, obwohl #Techno nicht so ganz meine #Musik ist. Gibt's auch 'ne #Country- oder #Reggae-Version?

#NowPlaying felix kröcher - 182 #Playlist #Techno #house #Techhouse DC-radio @ felix kröcher

Worst part of a real dayjob - having to wake up in the morning. #Realization one word - #TECHNO

Hallo Off to Berlin for a wee trip. Auf wiedersehen #techno

I’m #Thankful for #Techno

#NowPlaying on #CatCast drunken_kong - Look Around #DTRadio DTRadioMusicBot #ElectrikCatShow #CatCast33 #techno

#Bambi gucken, aber den Ton ausschalten und #Techno pumpen.

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17 comments Latest comment 1mon ago

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Hedda  ·  1mon ago

Powel mausert sich grad zum neuen Lieblings DJ. Lebensfreude mit Leichtigkeit und Freudentränen 🎶 😍 #Techno #Mellow

Patrizia  ·  1mon ago

Sven Weisemann - Interlace Jitter #RareSounds #Techno

Sibille  ·  1mon ago

Hey rici thanks for the follow! Long live #techno

Sarah  ·  2mon ago

Rage von Terence Fixmer auch einer dieser #Tekno Tracks, die Du heute so nur noch selten hörst :/ #Epic #Techno

Filippina  ·  3mon ago

fresh in the box: [perspektiv 002]

stamped whitelabel #techno 12" #vinyl single

Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of sub-genres have been built. In Detroit, techno resulted from the melding of African American music including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave being a notable point of reference. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as Afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness". Stylistically, techno is generally repetitive instrumental music, often produced for use in a continuous DJ set. The central rhythmic component is most often in common time (4/4), where time is marked with a bass drum on each quarter note pulse, a backbeat played by snare or clap on the second and fourth pulses of the bar, and an open hi-hat sounding every second eighth note. The tempo tends to vary between approximately 120 to 150 beats per minute (bpm), depending on the style of techno. The creative use of music production technology, such as drum machines, synthesizers, and digital audio workstations, is viewed as an important aspect of the music's aesthetic. Many producers use retro electronic musical devices to create what they consider to be an authentic techno sound. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro technology are popular among techno producers. Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance.

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